Feminism in William Gibsons Neuromancer Essay - 716 Words

Feminism in Neuromancernbsp;nbsp; nbsp; Neuromancer is an amazingly complex novel. Being one of the first of its kind, Gibson tells a chilling tale of a world where computers, and a thing called the matrix, become more real than reality. The story, set in the not-so-distant future, has our hero, Henry Dorsett Case, embarking on an adventure that stretches the limits of the readers imagination. But even though Case is our main character, there are others with as much or more power and influence. Women play a significant role in aiding Case throughout his mission. Not only are they noteworthy, they hold most of the power and at the end, it is a woman who holds the final key. By using the feminist approach to literary†¦show more content†¦We even find that one of the strongest characters is a woman. Let us analyze these women and discover how Gibson makes them major characters. nbsp; The main female character is Molly, an ex-military member, probably Special Forces, who aids the main character through out the story. She is portrayed as a woman who is not to be messed with. Because you try and fuck around with me, youll be taking on of the stupidest chances of your whole life.(25) This attitude serves her well through out the novel because she is the one who must infiltrate both the Sense/Net and Tessier-Ashpool. Molly is the only woman on the good guys side who is physically injured. Even when she is injured, she continues the mission. Molly is able to do things that the men in the story cannot because she is souped up, jazzed by the neurosurgeons for combat. (214) Her eyes are video cameras and she has a clock mounted inside her head. Four-millimeter razor claws are concealed beneath each fingernail and she has the ability to extend and retract them at will. Her military training has provided her with the ability to fight and execute order with swiftness and pr ecision. From a feminist approach, she is a positive character. She is a strong character in a male dominated society. But she is not the only female character in the novel. nbsp; Marie-France Tessier is the one in the novel whos ideaShow MoreRelatedFeminism in Gibsons Neuromancer2669 Words   |  11 PagesFeminism in Gibson’s Neuromancer Regarded as the beginning of the â€Å"cyberpunk† movement, William Gibson’s classic novel  Neuromancer, confronts the pronounced societal issues of feminism of the time. By distorting the female traits of his characters, Gibson illustrates that gender equality is only achieved when the female persona is able to transform away from both the desired and rejected feminist attributes imposed by societies fixed gender roles. Although the Cyberpunks are almost

Action Sports and Television Essay - 1348 Words

Action Sports and Television Actions sports have always been interesting to me. The way the athletes perform their tricks, how judges score them, and how the camera operators keep up with such a fast paced competition. The more I thought of my interest in this subject, the more I wanted to know. The growth of action sports on television follows the same pattern of any other type of show genre in its early stages. Documentaries, themed shows or movies, and especially the coverage on live television would be good places to start looking into. The impact on cable television and sports channels could further delve into other questions that comes to mind, like how the public viewed them. When did corporate sponsorships begin to move the†¦show more content†¦An example being, as skis were manufactured lighter yet still retaining their durability, people began to push their limitations based on the limitations of the equipment. Many people give credit to people considered â€Å"pi oneers† of action sports. Rodney Mullen, Tony Hawk, Matt Hoffman, Travis Pastrana are just a few heavyweight title holders for defining what extreme sports are as well as helping to stimulate their popularity in the public eye. Television coverage of competitions has brought extreme sports and their participants more attention as well. The X Games and the Olympics are only two of many examples. Sponsorships play a huge role in any television programming. When shows of early television aired, they had live performances of a company’s jingle (â€Å"Vitameatavegamin† episode of I Love Lucy) and even demonstrations of exactly what it was supposed to do for the average american viewer. Cigarette ads were one of the most common, like before one the episodes of I Love Lucy we watched in class where the stick figure versions of Lucy and Desi were standing next to a large box of cigarettes and smoking one themselves. 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Does Audens early poetry have any heroes Essay Example For Students

Does Audens early poetry have any heroes Essay Callan also claims that the true adversary is in the human mind, the conscious brain which, more effectively than the Devil, advance and retreats under control and poisons everything round it. An understanding of the psychological dimensions of Audens early poetry presents the greatest of all the wars is that inside the human mind. In the second stanza of Who Will Endure it says, There is no change of place/But shifting of the head (p. 54). What is implied here is if man continues with war and emigrating to become conquerors of empty bays (p.7) he will only make a wasteland of wherever he inhabits it. What is integral in order to become truly heroic is to change the perspective of mankind, so that the ordinary man is heroic in his understanding of the futility of war. Man with his new perspective need not fear the rail head barriers or the ends of piers (p. 54) nor the gamekeeper with his dog and gun (p. 54), the implements of fear. Overcoming this barrier man will be able to send his son Further through foothills (p. 54). In From Scars where Kestrels Hover Auden again pulls away from the conventions of the traditional hero. In the second stanza it says: Heroes are buried who Did not believe in death And bravery is now Not in the dying breath But resisting the temptations To skyline operations. (p. 28) The heroism in the poem is what would be conceived in wartime as desertion. The bravery of the dying seems futile and the hero is he who endures and passes Alive into the house (p. 28). He says in The Prolific and the Devourer He who undertakes anything, thinking he is doing it out of a sense of duty, is deceiving himself and will ruin everything he touches (p. 403). Again Auden is alluding to the false sense of duty conveyed to soldiers in wartime. He will ruin everything he touches because his actions and motives are based on false and fabricated premises structured on a framework of fear. Auden is again reinforcing that notions of classical heroism should not be utilised when the mind and body are not in harmony. The heroics in The Aenied, The Illiad and Norse saga Auden utilises as the actual way for a man to conduct himself in war. When mankind harnesses his unconscious desire for freedom, breaking fears stranglehold over the will, man will become truly heroic. Auden sees the fact that those who fight in war and die are Fighters for no ones sake (p. 28). The fighting will create just another wasteland and again the cyclical process will maintain its hold over mankind. In To ask the Hard Question Auden is advocating that the ordinary man should assert himself, taking on the role as the hero in everyday pursuits, such as love. The ordinary man should become the man of action, but action that ultimately unites rather than fracturing and destroying. Auden is therefore utilizing mans skills and abilities for the purpose of uniting. What is difficult for man is remembering the method of remembering (p. 54). Man must be brave in confronting his own memory, remembering mankinds inherent unity and so restoring The steps and the shore (p. 55). In Get there if you can Auden further demonstrates the need of a Blakian revolution of the consciousness most explicit. The intellectuals are systematically destroyed, society is in a state of decay and Terrors drawing closer and closer (p. 49). Audens point is most explicit in this poem than in others, even if it is poetically crude. .u27691ddce533934e2e2ecc201b6cef4a , .u27691ddce533934e2e2ecc201b6cef4a .postImageUrl , .u27691ddce533934e2e2ecc201b6cef4a .centered-text-area { min-height: 80px; position: relative; } .u27691ddce533934e2e2ecc201b6cef4a , .u27691ddce533934e2e2ecc201b6cef4a:hover , .u27691ddce533934e2e2ecc201b6cef4a:visited , .u27691ddce533934e2e2ecc201b6cef4a:active { border:0!important; } .u27691ddce533934e2e2ecc201b6cef4a .clearfix:after { content: ""; display: table; clear: both; } .u27691ddce533934e2e2ecc201b6cef4a { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u27691ddce533934e2e2ecc201b6cef4a:active , .u27691ddce533934e2e2ecc201b6cef4a:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u27691ddce533934e2e2ecc201b6cef4a .centered-text-area { width: 100%; position: relative ; } .u27691ddce533934e2e2ecc201b6cef4a .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u27691ddce533934e2e2ecc201b6cef4a .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u27691ddce533934e2e2ecc201b6cef4a .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u27691ddce533934e2e2ecc201b6cef4a:hover .ctaButton { background-color: #34495E!important; } .u27691ddce533934e2e2ecc201b6cef4a .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u27691ddce533934e2e2ecc201b6cef4a .u27691ddce533934e2e2ecc201b6cef4a-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u27691ddce533934e2e2ecc201b6cef4a:after { content: ""; display: block; clear: both; } READ: A Streetcar Named Desire As Related To Setiing EssayBut within this poem the facets of mans fear is expounded to the fullest and articulates the necessity for change in mans perspective, to stop behaving like a stone (p. 49). The time is for action, a conscious surge for change as opposed to Lecturing on navigation while the ship is going down (p. 49). Fuller says that Man is now at a stage of civilisation at which consciousness of his failure to create a just society is equally mixed with his hope that he may eventually do so3. This is what Auden refers to in Get there if you can where Hope and fear are neck and neck (p.49). This consciousness is also apparent in I have a Handsome Profile, the problem encountered by the characters is how to change. The change for Auden must be psychological, when this has taken place the external world of western society will follow. I Have a Handsome Profile best demonstrates the awareness of the central character to his situation within society and the futility of his external actions to make his existence any more tolerable: Its no use turning nasty Its no use turning good Youre what you are and nothing you do Will get you out of the wood (p. 125) What the narrator is opting for is apathy; the narrator is struck by the futility of his situation. The apathy is created through the fear of change as the narrator says, remember that you are afraid (p. 125). The final stanza is mocking of the stereotypical hero, a hero who destroys the external world because of his stagnated mind. Auden insists that in this crumbling society the heroic figure is defined by the size of his gun. There are no heroes in Audens early poetry who are not literary abstracts, presented to illuminate mans inability to align himself with these figures. They are also used as positive aspiration blueprints for when man overcomes his fear and unites his mind and body. The crucial factor in Audens early poetry is the fear of the times. It is fear that essentially conspires to destroy mans potentiality for change. The battle of fear is played out in the mind, where the battle must be won if the fertility of the mind is to be restored. The will must be free to reign beyond the realm of fear and so irrigate the Orchard, as the glacier in Taller To-day has the capacity to. In order to break the chain of man passing misery onto man he must also shift his perspective, remembering the unity of body and mind. The stirrings of consciousness are sown in the subjects of the poems, they have the potential as Audinian heroes, but must overcome their psychosis and become men of action if they are to escape Platos cave and onto the Islands of Milk and Honey/ Where theres neither death nor old age/ And the poor have all the money (p. 133). The poem On Sunday Walks refers to All glory and all story/ Solemn and not so good (p.34). This is an attack on the classical conceptions of the hero, a hero that is unworkable and is therefore all story. In Spain 1937 it says Yesterday the abolition of fairies and giants this is again a reference to the ousting of the mythical hero who has nothing to fight in this world. The poem then shifts towards the removal of the Greek hero: Yesterday the belief in the absolute value of Greek; The fall of the curtain upon the death of a hero; Yesterday the prayer to the sunset, And the adoration of madmen. (p.211) Again the reassertion of there being no place for the heroics of one ubermenchcharacter. .ua188ce45b4a12e7164f2b5485f1f2eb6 , .ua188ce45b4a12e7164f2b5485f1f2eb6 .postImageUrl , .ua188ce45b4a12e7164f2b5485f1f2eb6 .centered-text-area { min-height: 80px; position: relative; } .ua188ce45b4a12e7164f2b5485f1f2eb6 , .ua188ce45b4a12e7164f2b5485f1f2eb6:hover , .ua188ce45b4a12e7164f2b5485f1f2eb6:visited , .ua188ce45b4a12e7164f2b5485f1f2eb6:active { border:0!important; } .ua188ce45b4a12e7164f2b5485f1f2eb6 .clearfix:after { content: ""; display: table; clear: both; } .ua188ce45b4a12e7164f2b5485f1f2eb6 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ua188ce45b4a12e7164f2b5485f1f2eb6:active , .ua188ce45b4a12e7164f2b5485f1f2eb6:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ua188ce45b4a12e7164f2b5485f1f2eb6 .centered-text-area { width: 100%; position: relative ; } .ua188ce45b4a12e7164f2b5485f1f2eb6 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ua188ce45b4a12e7164f2b5485f1f2eb6 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ua188ce45b4a12e7164f2b5485f1f2eb6 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ua188ce45b4a12e7164f2b5485f1f2eb6:hover .ctaButton { background-color: #34495E!important; } .ua188ce45b4a12e7164f2b5485f1f2eb6 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ua188ce45b4a12e7164f2b5485f1f2eb6 .ua188ce45b4a12e7164f2b5485f1f2eb6-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ua188ce45b4a12e7164f2b5485f1f2eb6:after { content: ""; display: block; clear: both; } READ: Turtles Favorite Fish EssayFor these heroes are madmen. Auden is referring to specificaaly General Franco, and less directly at Hiitler, Stalin and Mussolini. These dictators are adorned as heroes, but for Auden they are the founders of these starving cities (p. 135) In September 1, 1939 it says: Out of the mirror they stare, Imperialisms face And the international wrong. (p. 245) Again there is the reassertion of The strength of Collective Man. Mankind see their furure as a reassertion of imperialism, which is the international wrong, a fight for nobodys cause. Bibliography Primary Texts W. H Auden, The English Auden (Faber Faber, 1986) Secondary Texts John Fuller, A Readers Guide to W. H. Auden (Cox Wyman, London, 1970) pp. 13-114 Edward Callan, Auden: A Carnival of Intellect (Oxford University Press, 1983) pp. 114-127. 1 Edward Callan, Auden: A Carnival of Intellect (Oxford University Press, 1983) pp. 114-127. 2 John Fuller, A Readers Guide to W. H. Auden (Cox Wyman, London, 1970) p. 36.